I’ve never written a review of a romance novel I have such mixed feelings about. From what I gather, Lisa Kleypas is a legend in the ‘historical romance’ genre, and this is her first attempt at in the ‘contemporary’ genre so I’m willing to be a little forgiving. But there are several things in this book that made absolutely no sense to me.
When the story begins, Liberty Jones is a shy girl growing up in a trailer park in Welcome, Texas with her mother and the mother’s loser boyfriend. At this point, we’re told that Liberty’s father was Mexican and she has faced some backlash for not resembling her caucasian mother. Her mixed race heritage is brought up repeatedly throughout the book but never dealt with.
Liberty falls for bad boy Hardy Cates, who is driven by his desire to get the hell out of Welcome ASAP, even though he and Liberty have undeniable chemistry. She is heartbroken but her problems multiply thousandfold when her mother suddenly dies in a car accident and leaves her to take care of her 2-year old half-sister, Carrington. Why anyone would name a kid Carrington escapes me, but I’m going to chalk it down to a ‘Texan thing’ like the author has to excuse a lot of erratic behaviour by different people throughout the story.
At some point, I started to wonder why the series was called “Travises” considering nobody named Travis had appeared so far. But then we see Liberty move to Houston after she hustles for a couple of years and becomes a cosmetologist. Working at a top-notch salon, she meets old multimillionaire Churchill Travis, who takes a shine to her. She convinces him to get manicures and they become good friends. All this time, I’m really hoping that they don’t sleep together primarily because I’m still convinced Hardy is the hero of this tale. Liberty says he is The One enough times.
But, wait. Churchill breaks his leg and asks Liberty to become his live-in nurse. That’s when we meet Churchill’s disapproving oldest son, Gage Travis. He is the typical alpha male who charms the damsel by giving her a glimpse of his many, many flaws. He enters the story so late that for a while I was really doubtful if he was the hero. (His name’s not even mentioned in the blurb!) However, sparks fly and now Liberty and Gage enter into a romantic relationship and my dubious HEA seems within grasp.
With some 60-odd pages left in the story, Hardy reappears and Liberty’s reaction to him is so powerful, I am surprised he was not the one she ended up with. But then, there was a painfully bad industrial espionage scene and Liberty sees how Hardy has grown up to be a ruthless money-grubber. So she goes back to Gage, who was having her followed without her knowledge and who pins her down and has sex with her when she tells him that she needs a break from him. That she liked it and he apologized for it afterward, does not take away from the fact that it was rape and Gage is a stalker.
Romance is hands down my favourite genre. But justifying disturbing, violent and abusive behaviour in the name of love is not romantic. Stalking is not romantic. Sex with questionable consent is not romantic. A heartfelt apology after the fact is not a cure-all. I haven’t read any of Lisa Kleypas’ other books so I won’t make it personal, but I’d like to appeal to romance authors out there and say that love is one of the most powerful emotions a human being can experience, but it is meaningless without consent. Please keep that in mind.
The book has many other flaws and some redeeming chapters but since the aforementioned issue is so important, I will not be dealing with the rest in this post. Hopefully, Ms Kleypas’ other books are not this sickening.
P.S. If anyone figures out why, in the name of God, was this book titled Sugar Daddy, please let me know. Thanks.